Monday 17 December 2012

Christmas Do....


Hi Everyone, These are some of the Pics I took of our little Christmas gathering...





 Diana acting normal!




 The consumete Chief...


 MMMMMM...Yummy Foooooooood.....



 Me old mate Cat :-)


 Looking Glary eyed! Nice Pic of Lizzie and Marusa :-)



 Davids FAB photo from Diana..


Sunday 9 December 2012

As part of my collecting and collating I am going to try and write my own blog each day. It would be great if any of you could follow this and comment if you want to. See http://joaylwin.me/.

Thanks

Jo

Wednesday 5 December 2012

Collect, Collected, Collected


Hey Folks, the intor presentation for Stage 2 and this new project is on myUCA.

Wednesday 28 November 2012

3DD Taster sessions



















Hey Folks, those of you who have signed up for the 3DD taster session on Friday you are to meet at 09:45 in B11

Friday 23 November 2012

The V & A: chill out with the original contemporary late night event


The V & A are hosting Friday Late Live performances, cutting-edge fashion, debates, one-off displays and installations, special guests, bar and food, guest DJs, late-night exhibition opening. ITS FREE....
Held on the last Friday in every month (except December) from 18.30 – 22.00. All Friday Late activities are free.
Forthcoming Friday Lates
Friday 30 November: Record, Reframe, Resist 
Friday 25 January 2013: Red Carpet

Jill

Monday 19 November 2012

This not a painting blog...but a science book short list


From the warlords of Africa to the drug gangs of Mexico, the world is getting ever more murderous. At least, that’s what we’ve been led to think, not least by the focus of the media on the world’s troublespots. But, says Harvard psychologist Steven Pinker, the hard facts tell a different story. Statistics on deaths in wars, as well as the decline and abolition of practices such as torture, slavery and capital punishment, point to the growing dominance of “the better angels of our nature”. Pinker argues that these angels, including empathy, sympathy and self-control, are triumphing over rage and lust – and as a result, the world is now a safer, less violent place than at any time in history.
Using his renowned combination of unparalleled mastery of statistical evidence and brilliant style, Pinker has written perhaps his greatest book to date. The question is, will the relatively low density of hard science content rob him of the prize?

About the author: Shortlisted for this award three times before – a record – Professor Pinker is arguably the best writer never to have won the top accolade in science writing.


The Better Angels of Our Nature by Steven Pinker (Penguin, £12.99)

Sunday 18 November 2012

Saturday 17 November 2012

Furniture Design

Those interested in furniture design; this is an ultra modern gallery that show cases some very quirky and innovative exhibitions davidgillgalleries.com Jill

Thursday 15 November 2012

Stage 1 Project two - Day one collaborative research
























Don't forget to have a meeting with yourselves and reflect on what you have done so far and the direction your work is going to take.

Friday 9 November 2012

Dear all,
There is an art competition being run by the Dulwich Picture Gallery, if you are interested in taking part you can get the full details by visiting:-  www.dulwichonview.org.uk/competition  
Also I picked up a leaflet about Greenwich Printmakers Gallery, for those of you particularly interested in print. For more info about them have a look at www.greenwich-printmakers.co.uk
At the suggestion of Nathan, I have opened a face book page just for links with artists such as yourselves. I follow tons of different people, galleries and pictorial information sites and have done for years, which you may find interesting and or inspirational. If you are interested in viewing this page, I don’t think you have to be a "friend" to follow any announcements I make or receive through it. So I believe you will just see the ‘art’ related posts I make and not all the junk from my friends.
I have only just opened it this evening and I will be transferring the stuff from my general site to this group page, so it might take a few days so please bear with me whilst I figure it out.
My reason for doing this is that once this course is over I suspect the UCA blog will not continue and by having a link through my face book page I will hopefully be able to stay in touch with you all.

Finally, I have recently discovered that it is possible to follow interesting people through my Linked In site. Linked In for those of you who may not know is a business contacts network. I joined this site when I lived in the USA as it allows you to connect with other similar industry professionals. Through this site I have just started following Richard Branson, Barack Obama and David Cameron to name but a few. Richard has just written a short piece on what being a entrepreneur. 
best
Alison 

House of Illustration

I have subscribed to this site for ages:

The House of Illustration is the world’s first dedicated home for the world’s most accessible artform. From advertising to animation, picture books to political cartoons, and medical drawing to fashion design, we champion illustration, explore its riches and celebrate the way it touches our lives." 

It has great initiatives and at the moment is showcasing an exhibit for all you comic book fans.  Click here www.houseofillustration.org.uk/

Jill

Tuesday 6 November 2012

David Nash at Kew

At the weekend I went to Kew Gardens to see the David Nash exhibition - http://www.kew.org/visit-kew-gardens/whats-on/david-nash/index.htm.

I knew little about Nash before I went. I had heard a review of the exhibition on the radio (probably on Front Row but I am not sure - may have been The Strand) and it sounded my kind of thing - a sculptor, using natural materials, interested in the relationship between man and nature.  And we have to do an exhibition report!

I am now a complete fan. His work is large scale, using huge pieces of wood on the whole, that are taken from fallen or felled trees. Many have been charred, I have to find out how. This leaves them with an almost velvet texture but also emphasises the grain of the wood. The black objects have a different impact. They almost suck you in. I was reminded of the black obalisk in "2001"! Probably a very flippent reference but one that resonates with me.

I would really recommend this to anyone. Even if you do not like the work, Kew Gardens are lovely!

Jo

Monday 5 November 2012

Object, Space and Communicate: An introduction to Design



 Jurgen Bey: Work Sofa PROOF, 2008.
United Colors of Benetton, Advert, 1996.

Tejo Remy: 'You Can't Lay Down Your Memory' Chest of Drawers,1991 (Droog Design)


Aitor Throup: 'On the Effects of Ethnic Stereotyping' (AKA '22 July 2005'), Spring/Summer 2013 Collection.


Neasden Control Centre: http://neasdencontrolcentre.com/

[DESIGN] Rationale

This introductory project will broaden your awareness of contemporary design practice and help you to think conceptually in response to a given theme. Design is a very broad term. It covers a diverse range of fields from Product Design to Architecture, Applied Arts and Crafts (Glass/Metal/Ceramics) to Interior Design, Graphic Communication Design and Packaging to Fashion Design, Interactive Design and New Media. All design follows a similar process, a principle of solving problems by using appropriate and varied media determined by the brief.

In all these specialist areas there are certain skills that are universal:

      They are visually creative activities
      They address human needs and often have a social agenda
      They require problem solving and lateral thinking
      They should challenge convention and develop tradition
      They require a good understanding of materials and process
      They involve communication and working with other people
      They often address design briefs set by others
      They require strong verbal and visual presentation
      They often consider form and function in equal measure




Student sketchbook and design development work: Seating/Furniture Project.

Resources
Craft knife, steel rule, paper, card, masking tape, digital camera and a selections of other materials for 2D and 3D work. A newspaper and a magazine - to be used for collage.

Research
If you have time, you can begin some research into the following processes, themes and design outcomes:



Score – Cut – Crease – Fold – Pleat  – Hinge – Loop – Slice – Balance – Unfold – Twist – Flex – Comfort – Shelter – Contain ­– Scale ­– Domestic – Environment – Consume – Space – Message – Package – Product – Garment – Architecture – Advert – Interior/Exterior – Accessory – Furniture...









Saturday 3 November 2012

Dear all
I spoke to a couple of you about this website during the week which exposes you to a variety of art images everyday.
All you need to do is sign up for a daily picture and they will send one or two daily, with information about who painted it, when and the reasoning behind the picture.
you can chose to receive just one type of picture ie modern, Renascence, you get the picture!!!
give it a go, it really is a great way to find out whats out there and it often tells you where the picture is hanging so you can go and see the real thing too!

I hope you all have a good weekend.
Alison

Artfinder Team [artoftheday@artfinder.com]

Friday 2 November 2012

I thought i had posted this for all of you but it appears to have disappeared!
so the museums association does a ticket for about 52.00 per year or less if you sign up for direct debit.
I just paid 12.50 to see the pre-rapelite exhibition so if you think you will be a regular visitor to the special exhibitions it is probably worth buying this ticket.
ALSO
if anyone is interested in visiting London galleries on a regular basis either in the week or at the weekends please let me know so that we can get together as i do believe that going solo to any exhibition is not a great idea where as going with someone, however different your opinions and backgrounds, in fact greater diversity is always a good thing, the more meaningful and greater the  appreciation and understanding can be.

http://www.museumsassociation.org/members-guide/london


I read this the other day and it made me rather sad to think that so much has been destroyed. So i thought i would share it with all of you.





Saltz's Devastating Tour through Chelsea's Ruined Art Galleries

Workers mop out the Gagosian Gallery as a Henry Moore sculpture stands in a puddle behind them.
I live downtown, in the part of Manhattan without power. Like many, my nights have been long, dark, cold and unnervingly quiet. With no Internet access, cell-phone, or news I was antsy, and felt the urge to wander. On day two, wondering how the galleries in Chelsea had weathered the storm, I seized the opportunity to leave my apartment and head west. And when I got there, my art-heart sunk.
Widespread devastation was in painful evidence in scores and scores of ground floor galleries between Tenth and Eleventh Avenues. Almost every ground floor gallery had been inundated with four or more feet of water. All of the many basement storage facilities were flooded. Computers and desk equipment were wiped out. Reams and reams of irretrievable historical material stored in notebooks and gallery files were washed away, destroyed. Sculptures, crates, furniture, and paintings floated inside water-filled galleries, ramming walls and other works of art. Whole shows were destroyed. Desks floated free. Glass doors had shattered from the pressure of the water inside the galleries. Walls already reeked of mildew or had rotted through.
Damage to art has been far-reaching. I had to turn away when I saw Belgium painter Luc Tuymans going into David Zwirner to inspect a waterlogged painting of his. I watched outside Printed Matter as box after box of their own printed editions and titles were brought up from the basement and thrown into dumpsters. All lost. Outside, on almost all sidewalks, there were massive piles of cardboard, plastic, and crates. Inside each of these containers had been artworks that had been soaked. I saw stunned gallerists un-framing works on paper, setting them out to dry on any available surface. Other dealers in work boots pushed crates out of spaces, onto the sidewalks, straight into dumpsters. One woman drove in 50 five-gallon containers of gas from upstate to fill the many pumping generators. Volunteer restoration experts went from gallery to gallery to inspect works, separate the salvageable from the lost. It was an art MASH unit. I saw paintings being carried from Friedrich Petzel's flooded 22nd Street space to dry storage in his new space on 18th Street. From the outside it looked as though a bomb had gone off inside 303 Gallery. Ditto many other galleries. I saw torrents of water rushing out of Gagosian's cavernous 21st Street space. When I ducked under the door I saw a large lone Henry Moore sculpture standing in inches of water. A sub-ground level space on West 19th Street, filled as if it were a swimming pool, had paintings floating in more than 15 feet of water. 
I asked dealers if they had insurance. Most have it for the work. Some have it for flood damage. Most don't have any insurance other than on the art. This could spell the end of many galleries small and large.
Many ridicule Chelsea galleries as flesh-eating pariahs. I think they're part of our life blood; the collective organism that in many ways makes New York one of the most thriving centers for art on earth. These ridiculed and reviled galleries are places you can go for free, run by strange people with visions who want to help artists by showing and selling their work. It's become an international pastime to attack these galleries simply for being what they are: large and commercial. I love them. All. More than ever.
Walk through Chelsea in the next couple of weeks as clean-up and repair continues. Notice that some spaces look so wrecked that it'll be extraordinarily hard for them to get back on their feet. Many galleries will somehow have to try and rebuild while getting through the next couple of months of not being open or being able to show or sell art, all while still paying rent and bills. Even the most cold-hearted gallery bashers should wish the best for all these galleries. Every one. Palaces of art and mom-and-pop shows. Right now, along with much of our beautiful city, Chelsea galleries are going through hell. A huge part of the New York art world has suffered a colossal blow. Thinking about New York without its density of galleries is like not being able to think about New York at all. Grim.

URGENT !!! - Berlin trip



Hey folks,

If you want to go to Berlin you must email Vanessa ASAP! vcoppock@ucreative.ac.uk

Thursday 1 November 2012

Tate Modern


Following on from David's mention of micro blogs at various institutions: I thought again about Tate Modern
and found their own blog.  It is worth looking and you can even access research papers through the main site.
I was fascinated by the work of Daido Moriyama. He is a photographer and is still going strong at the age of 
73... There is hope for me yet!  Tate Modern 

Jill

Additional Access course information that maybe required on the UCAS form.

When you are filling out your UCAS forms you will be asked to enter the names and credit values of the units on this Access Qualification.

The names of the units are in the UCAS handbook, however I omitted the credit values. You will notice that the credit value of each unit on the course, as listed below, is different to those in your stage and course handbooks. This is as a result of the course being revalidated last year and we have been asked to make these changes recently by the awarding body.


Stage 1 units: Learning Skills and Context
Art & Design Research Methods - 6 Credits
Art & Design Ideas Development - 6 Credits
Art & Design Materials and Methods - 6 Credits

Stage 2: Development and Progression
Integrated Art & Design Research, Ideas and Methods - 12 Credits
Preparation for Progression in Art & Design - 6 Credits

Stage 3: Proposal and Realisation
Art & Design: Project Proposal and Realisation in Art & Design- 12 Credits
Developing Critical Thinking, Reflection on learning, Communication and
Presentations Skills. - 12 Credits

Outside In...

http://www.outsidein.org.uk

Hi :-) There is an Exhibition at Pallant House Gallery at the moment for Outsider Artists. 2,300 Pieces were submitted nationwide.150 pieces were selected to be in the exhibition. I was one of the fortunate few. I feel very humbled by it.
Outsider artists are people on the fringes and often the most  vulnerable in our society. The homeless, people in prisons, Psychiactric patients. This are people who through the adversity of their lives find an outlet through art, creating art. It is often a necessity that facilitates recovery and moving forward in ones life......

Check it out. It is on until the 3rd of Feb 13





 This is my piece...

for anyone interested in reducing the cost of visiting exhibitions have a look at http://www.museumsassociation.org/download?id=688625   the download is for the membership form and as students we can get annual membership for as little as 46.80 per year if you sign up for direct debit or 52.00 per year if not.
As a guide my entry to the pre-raphelite exhibition on Monday using my student card was 12.50 and whilst many exhibitions are free the specials are not!

also anyone wanting to meet up and visit galleries out of school time let me know, it is always more fun and more thought provoking to go with someone as we all see things so very differently.


Wednesday 31 October 2012

Contextual and historical studies introductory study visit.

Sara Fanelli, Tate Artist Timeline



Hey folks, just a post to let you know that the timeline I was using last Friday to aid with our Modernist umbrella is now on MyUCA in the Contextual Studies folder [on the left hand side towards the bottom]. The timeline will give you some sense of the great period of technological, political and societal changes and flux that took place from 1750's - 1940's.


Also here is a link to the Tate Glossary I mentioned the other day. It provides a good overview of art terms, including -ism's.

http://webarchive.nationalarchives.gov.uk/20120203094030/http:/www.tate.org.uk/collections/glossary/

Remember art and design is not made in a vacuum but is influenced from the world we inhabit.


Tuesday 30 October 2012

The Jerwood Space

 this was done on a type writer, loads of little dots, loved it...
This is Grafite on card, that is my reflection at the bottom right...very cool....

 Can`t turn this round grrrrrr........



 This was an amazing projection :-) Didn`t catch the artists name..

Hi everyone, After David precluded that he thought the usual way I express myself through art was Drawing!! Oooeer, when I have had mainly a `hate` relationship with the concept of drawing full stop. I then felt inspired to go to the Jerwood Space that was holding a Drawing Competition. It was lovely, I felt at home there as soon as I walked in. Their was a young lady doing a presentation about her charcoal Animation. It was amazing, She was an award winner. Here are some pics of other pieces that caught my eye......